Category: Articles & Interviews

Variety: ‘The Great’: First Look at Elle Fanning and Nicholas Hoult Getting Cozy in Season 3 (TV News Roundup)

Hulu has announced that Season 3 of “The Great” will drop all 10 episodes on May 12, and revealed a first-look image.

In the third season, Catherine (Elle Fanning) and Peter (Nicholas Hoult) try to salvage their marriage after Catherine imprisoned his friends and almost had him murdered. Peter must also deal with visions of his dead father (Jason Isaacs) as Catherine spreads her word across borders and must compromise to create progress as a political leader.

Tony McNamara created, wrote and executive produced “The Great,” along with executive producers Fanning, Hoult, Marian Macgowan, Mark Winemaker, Echo Lake’s Brittany Kahan Ward, Doug Mankoff and Andrew Spaulding, Thruline’s Ron West and Josh Kesselman. Civic Center Media produced the series in association with MRC Television.

Source: Variety

Variety: Elle Fanning on Why She Was Hesitant to Star in Hulu’s ‘The Girl From Plainville’

Awards Circuit Podcast: Also in this episode, ‘Pachinko’ showrunner Soo Hugh hopes that Japan audiences eventually catch up to her Apple TV+ show.

Elle Fanning is Hulu’s MVP this year, in contention via both her edgy comedy series “The Great” and the dark limited series “The Girl From Plainville.” Not only does she star in both she also serves as an executive producer on the two projects.

“Hulu comments on my Instagram photos all the time,” she says. “And it’s always a boost from Hulu. They’re like, ‘Yes, Queen! You’re doing great!” It’s like, thanks, Hulu! Whoever’s running that, they’re really giving me a boost in the morning when I check my comments.”

That affirmation is appreciated by Fanning as she heads to London soon to shoot Season 3 of “The Great.” Last year, she kept a grueling schedule in which she filmed “The Girl From Plainville” just days after wrapping Season 2 of “The Great.”

“It was a complete 180,” she says. Fanning spoke to Variety’s Awards Circuit Podcast about both shows, and in particular what it took to research the story behind “The Girl From Plainville” and depict her character in an honest way. Also in this episode, we chat with “Pachinko” creator and showrunner Soo Hugh about the origins behind her Apple TV+ show, and what’s next. Listen below!

In “The Girl From Plainville,” Fanning plays Michelle Carter, the teen who was convicted of involuntary manslaughter for encouraging her boyfriend, Conrad Roy III, to end his life. It’s indeed a marked contrast to playing a rebel Catherine the Great in Hulu’s wild “The Great.” And at first, given the salacious nature of how the story of Carter and Roy was covered in the media, Fanning wasn’t so sure she was interested in the role.

“I was tentative to honestly sign on to the project,” she says. “I think this is a story that can really easily be sensationalized and romanticized to do a TV show. I was like, gosh, that is not the story that I want to tell, especially knowing that these families are alive, and a young man’s life was lost. And I really talked to everyone involved a lot of times before saying yes. And ultimately, I also was able to be a producer on the show, which of course, adds more of a responsibility. But I felt like having a part of that control could contribute to telling the story in a thoughtful way.

“Michelle, they portrayed her as his Black Widow manipulator. And then, Conrad was also portrayed really one dimensionally. So I think all of us wanted to dive into that and also in the world of technology,” she adds. “This is the first generation of seeing what the results of growing up with technology can do. I think it’s so intriguing and honestly, really scary.”

As for Hugh, Apple TV+’s epic drama “Pachinko” is based on a novel by Min Jin Lee about the history and plight of ethnic Korean inhabitants of Japan, through the lens of Sunja, a fish merchant born in Korea during Japanese colonial rule. She is forced to immigrate to Japan after becoming pregnant out of wedlock. The series is about the multi-generation impact of this story, shown in the 1920s/1930s when Sunja (Min-ha Kim) is a young woman, followed by the late 1980s when she’s an elderly woman (Yuh-jung Youn) looking back on her life.

“The research component of the show took roughly a year,” Hugh says. “And one of the reasons why was because the show spans about over 80 years. And once you decide to cross cut time periods, I didn’t have the luxury of saying, ‘Oh, I’ll learn about that Season 2.’ Because all the characters have lived through all 80 years, I had to really break down the entire history from the get go from Season 1. And so talking to consultants and historians who were experts, food historians, costume historians. We had historians on everything from, like media historians, on what were people watching in the 1980s [on] Japanese television. Because I feel like for me, my bullshit radar goes off when you’re doing a period show. I really want to be immersed in it and fall into it and make it as visceral as possible. So really, those details help.”

“Pachinko” has been conceived as a four-season story, with Season 2 shooting early next year. Season 1 wasn’t able to shoot in Japan due to COVID issues, but Hugh hopes to get there for the next shoot.

“Japan is a crucial part of this production,” she says. “So we really would I’m very eager to get in there. And nervous, because we’re going in with the best intentions.”

But “Pachinko” has not yet resonated in Japan, likely due to the nature of the story shining a spotlight on the the country’s destructive occupation of Korea.

“Japan really was the great unknown,” she says. “Were they going to watch the show? Are they going to boycott the show? I think the reality was ended up being somewhere in the middle. Apple TV+ launched in Asia recently. And so I think Japan is definitely still catching up to the platform. But I have to believe, knowing the intentions that went behind what we did in Season one, and going forward, that a Japanese audience will find this show. And I have to believe that they will see that this show is not about casting heroes and villains. But at the same time, it’s not going to blink, it’s not going to turn away from what really happened. And I hope that the integrity of the storytelling is the thing that convinces people that we’re worth watching in Japan.”

Source: Variety

The Hollywood Reporter: ‘Awards Chatter’ Podcast — Elle Fanning (‘The Girl From Plainville’ and ‘The Great’)

The former child star, who is now 24 and garnering career-best notices for her work on a Hulu comedy series and limited series, reflects on growing up in the industry alongside Dakota, when she took ownership of her career and what led her to projects on the small screen.

Elle Fanning is a gifted actress who is already a widely respected veteran at the age of just 24. She is the younger of two sisters — Dakota is four years older — who both made tremendous impressions as child performers en route to impressive careers as young adults, with no major personal bumps along the way. Of her work on the big screen, she is perhaps best known for 2010’s Somewhere and 2017’s The Beguiled, both directed by Sofia Coppola. But she has also starred in films big and small under the direction of, among others, Francis Ford Coppola, J.J. Abrams, Alejandro Gonzalez Inarritu, David Fincher, Cameron Crowe, Sally Potter, Jay Roach, Mike Mills, Nicolas Winding Refn, John Cameron Mitchell, Tony Scott, Terry George, Ben Affleck and Woody Allen.

This year, Fanning played substantial parts on and executive produced two TV programs, both for Hulu, and both of which could bring her Emmy nominations to go with four prior Critics Choice Award noms, two Golden Globe Award noms, one Spirit Award nom and one SAG Award nom. The first is The Great, a comedy series on which she portrays Catherine the Great, who arrived at the Russian court of Emperor Peter III with a twinkly eyed vision of life as his wife, mother of his heir and reformer of an empire, only to get a rude awakening. And the second is The Girl From Plainville, a limited series on which she portrays Michelle Carter, a high school student in Massachusetts who encouraged her own boyfriend to kill himself, and then, after he did so in 2014, wound up on trial for involuntary manslaughter.

During a recent episode of THR’s Awards Chatter podcast, Fanning reflected on all of the above and more. You can listen to the full conversation or read excerpts of it below.

Where you were born and raised, what did your folks do for living?
I was born in Decatur, Georgia. My mom played tennis in college. My dad was a professional baseball player for the St. Louis Cardinals. And my mom’s dad was a quarterback in the NFL for the Eagles. Everyone was very sports-affiliated.

When you were still a baby, your family left the South and moved to L.A. What brought that about?
Basically, my sister was put in a lot of activities. My mom wanted her to find her thing. She tried out soccer, she played the violin for a bit, and one of the activities was this play camp. My sister was five, and she has a photographic memory, so she could memorize all of the lines and was just kind of this wonder child. They told my mom that she might do good at commercials, or print, or get a movie, who knows, so you should go to New York or L.A. My aunt, my mom’s sister, already lived in L.A., so my mom was like, “We can go visit your aunt and see how this works.” So my mom and my sister went to L.A., my dad and I stayed in Georgia, and my sister ended up getting 10 commercials in a week. My mom called my dad and was like, “We’re not coming back to Georgia for a while.” And so I flew out to L.A. and we never went back.

How did you wind up alongside your sister in your first movie, I Am Sam, in 2001?
I would come to the set a lot because my mom had to take care of both of us, so Jessie Nelson, the director, knew me. I was 2, I think, and they needed a little girl for a flashback scene. They’re like, “Oh, let’s just use Elle! Is that OK?” And my mom was like, “Fine. She obviously looks like Dakota.” So they put me in a little costume and I had to swing on a swing with Sean Penn and sleep in the grass. That was my big debut.

You and Dakota both, of course, continued to appear in larger parts over the next few years. Let’s just pause for a moment to note: Neither of you ever took an acting lesson?
No, we didn’t do any formal training or anything like that, so basically our whole learning experience was working with big actors and directors, on the spot.

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Barry Levinson’s Making Of ‘The Godfather’ Feature Lands Elle Fanning As Ali MacGraw

Golden Globe nominated actress Elle Fanning has joined the cast of Barry Levinson’s film about the making of Paramount’s classic film, The Godfather.

Fanning will play actress Ali MacGraw, who was married to Paramount’s head of production Robert Evans.

Just after winning the Golden Globe for Most Promising Newcomer, MacGraw starred in Paramount’s blockbuster hit Love Story, for which she was nominated for an Oscar and won the Golden Globe for Best Actress. She would later meet Steve McQueen on the set of The Getaway and the two would fall in love and eventually marry. Deadline’s Peter Bart was the VP of Production during the Evans’ regime at Paramount when The Godfather was being made.

The feature is based on The Blacklist screenplay by Andrew Farotte that has been re-developed with Levinson, who will direct. Fanning joins previously announced actors Oscar Isaac (Francis Coppola), Jake Gyllenhaal (Bob Evans) and Elisabeth Moss (Eleanor Coppola). Production begins this autumn.

“Elle is one of the most exciting and versatile actresses out there,” said Levinson in a statement. “I am beyond thrilled that she has joined the terrific cast of “Francis & The Godfather” and will bring her unique talent to the film.”

This year Elle was nominated for a Golden Globe Award and an Independent Spirit Award for her performance in The Great. She is currently in production on season 2 of the Hulu/MRC series in which she also serves as EP. She recently starred in Sally Potter’s The Roads Not Taken and Netflix’s All The Bright Places, the latter of which she also produced. She will next star in and executive produce the limited series The Girl from Plainville for Hulu.

She is also set to star with her sister Dakota Fanning for the first time in the feature film adaptation of The Nightingale for Tristar and director Melanie Laurent. She is repped by Echo Lake Entertainment, UTA and attorney Steve Warren.

Endeavor Content is handling worldwide sales for the Levinson movie.

The Godfather went on to win 3 Academy Awards and became a huge box office success.

Echo Lake Entertainment’s Mike Marcus, Doug Mankoff and Andrew Spaulding are producing along with Kevin Turen, Jon Levin and Baltimore Pictures’ Jason Sosnoff.

Source: Deadline

‘The Nightingale’: Elle And Dakota Fanning’s WWII Sisters Pic Pushed Another Year – Again

Those wishing to see Elle and Dakota Fanning in WWII drama The Nightingale will have to wait even longer. Sony is pushing the film to Dec. 23, 2022. It previously had been moved to December 22 of this year. Elle Fanning currently is in production on Hulu/MRC’s second season of The Great.

Christmas falls on a Sunday that year, and Nightingale will square off against Paramount’s Babylon on Dec. 25 and an untitled Illumination and Universal title on Wednesday Dec. 21, 2022. Pic is produced by Elizabeth Cantillon.

In addition, Sony is dating Stage 6 Films’ R-rated romantic comedy Long Weekend for March 12. Pic follows Bart’s (Finn Wittrock of American Horror Story) chance encounter with the enigmatic Vienna (Zoë Chao), which leads to a whirlwind weekend together. The two fall fast and hard, but both carry secrets that could be their undoing or the chance for a fresh start.

Steve Basilone is making his directorial debut off his script. Pic is produced by Deanna Barillari, Laura Lewis, Theodora Dunlap, Sam Bisbee, Audrey Rosenberg and Jess Jacobs. Executive Producers are Franklin Carson, Lance Acord and Jackie Kelman Bisbee. The film stars Finn Wittrock, Zoë Chao, Casey Wilson, Jim Rash and with Damon Wayans, Jr. The film is produced by Invisible Pictures, Park Pictures, Fifty Seventh Street Productions, and Rebelle Media.

PREVIOUSLY, April 30: Sony’s The Nightingale WWII drama starring Elle and Dakota Fanning, which was suppose to come out at the end of this year, has been pushed to Dec. 22, 2021 due to the COVID-19 production shutdown.

Real-life sisters Elle and Dakota Fanning will play on-screen sisters in the coming-of-age story adapted from Kristin Hannah’s international bestseller. Pic, which is being directed by Melanie Laurent, is set on the eve of World War II and follows the sisters’ struggle to survive and resist the German occupation of France. The story was inspired by the courageous women of the French Resistance who helped downed Allied airmen escape Nazi-occupied territory and hid Jewish children.

The project reteams Laurent with Elle Fanning after the duo worked on the 2018 movie Galveston together.

The Nightingale has been published in 45 languages, and went on to sell 3.5 million copies in the U.S. alone and became a No. 1 New York Times Bestseller for a total of 114 weeks on the list.

Source: Deadline Hollywood

‘The Great’ Star Elle Fanning On First Golden Globe Nom, Finding Her Power & What’s In Store For Season 2

“Huzzah!” was the reaction from the set of season 2 of The Great, where Elle Fanning, who was in the midst of filming, learned she had nabbed her first-ever Golden Globe nomination.

“It was pretty exciting. Everyone obviously yelled ‘huzzah’ because that’s what we do on our show,” Fanning told Deadline.

She was nominated for Best Performance By an Actress in a Musical or Comedy for her performance as Catherine The Great in The Tony McNamara-created Hulu series, which picked up a nomination for Best Television Series.

Speaking on the show’s success, “I think it’s such a specific tone and I think it’s a beautiful, escapism to a historical world,” Fanning opined. “It’s very opulent, but there’s such a groundedness to it. It has that dark satire, comedic sense of humor that you can laugh at it but then the emotions really hit hard.”

The Great is a satirical show that tells the story of the rise of Catherine the Great from outsider to the longest-reigning female ruler in Russia’s history with only a few occasional facts.

Like Catherine, Fanning found herself with a new set of powers when she signed on to also produce the series. “I felt like I was, as Elle, coming into my power and learning my authority and navigating that world, which is often male-led,” she shared. “I found myself there and had to find my voice in a sense. Catherine is the same way. She’s finding her power.”

With Season 2 on the horizon, Fanning didn’t give away much but hinted at what’s in store for Peter and Catherine’s already complicated relationship.

“Catherine, I feel, has a real soft spot for [Peter], which gets to be explored. Their relationship gets way more twisted. So we have a lot working together.”

Source: Deadline Hollywood